October 10, 2010

Do you remember “Opposite Day” from childhood? “Sure, I’ll give you half my candy bar if you give me your fruit Roll-Up…just kidding: it’s Opposite Day!”
When adults play Opposite Day, the results are far more sinister. This year the Nobel Prize Committee played Moral Opposite Day by awarding their prize for medicine to Dr. Robert Edwards, the inventor of in vitro fertilization. A Vatican official quickly condemned the Committee’s actions, and rightly so.
The Church’s objections to in vitro fertilization are perhaps not as well known as they should be: the procedure turns reproduction into a technical process instead of an act of love and involves the mass-production of embryos, the majority of which will be discarded when they are no longer deemed useful. Because the procedure’s rate of success is low, a larger number of human embryos are created than what are normally needed, and those that are deemed defective or prove to be “unnecessary” are killed or frozen.
A more thorough and expert discussion of the problems with in vitro fertilization, as well as the morally acceptable alternatives to it, can be found on the USCCB website. However, even a brief consideration of all that the procedure involves should be sufficient to understand how it results in the reduction of human life to a commodity. Any time we find ourselves applying the adjective “unnecessary” to a human life, we have already entered a brave new world of moral horror.
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abortion, Anthony Lusvardi, Contraception, Dr. Robert Edwards, in vitro fertilization, Morality, Nobel Prize, science, technology, violence | Tagged: Dr. Robert Edwards, in vitro fertilization, Nobel Prize |
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Posted by Anthony Lusvardi, SJ
October 7, 2010
To mark the 439th anniversary of the Battle of Lepanto, I thought I’d alert our readers to a discussion taking place on Cynthia R. Nielsen’s interesting blog Per Caritatem on “Violence and Christian Holy Writ.”
I contributed a short piece on Rene Girard based on our own discussions of Girard here on Whosoever Desires. (My own piece won’t come up for another few weeks, but the others’ contributions are even more interesting.)
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Anthony Lusvardi, Christianity, Rene Girard, violence |
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Posted by Anthony Lusvardi, SJ
October 5, 2010

Oliver Stone’s new Wall Street sequel contains moments of gimmicky directorial over-reach, self-congratulation, wild implausibility, and hackneyed sermonizing.
It’s also a brilliant film.
Stone’s style is often a bit too much for me, but his Wall Street films are American classics. His ambition in both films is tragedy on a Shakespearean scale, and Wall Street: Money Never Sleeps is worth the risk. It is a visually beautiful film, from the glittering shots of Manhattan to the Goya masterpiece that hangs over its villain’s fireplace—Saturn Devouring His Son—and its soundtrack is great.
But best of all is Michael Douglas’ Gordon Gekko, a character on a tragic scale. When he emerges from prison at the beginning of the film, there’s something in him of King Lear, alone, broke, and abandoned by his family. As he strides the stage at Fordham University, lecturing on his new book, Is Greed Good?, his hair white and wavy, railing against the real estate bubble, debt, and lack of accountability in the American economy, he has something in him of an Old Testament prophet, an Amos or a Jeremiah. Gekko’s prophetic aura is heightened by the fact that the movie starts out in the weeks just before the stock market crash of 2008, a crash which he predicts.
If you haven’t seen the movie, stop reading and come back when you have, for the slick-haired Gordon Gekko we came to despise in the first Wall Street is not dead but only dormant. Read the rest of this entry »
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Anthony Lusvardi, economics, film, Gordon Gekko, greed, Michael Douglas, Morality, Oliver Stone, Society of Jesus (Jesuits), Virtue, Wall Street |
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Posted by Anthony Lusvardi, SJ
September 27, 2010

Over the past year in a couple of the classes I’ve taken, I’ve had the pleasure of dabbling is some of the middle and late works of Søren Kierkegaard. Kierkegaard is a literary genius—passionate, ironic, employing different genres and pseudonyms to keep his readers always just a bit off balance.
Some of the characters he creates are Christians, others not, and it’s always tricky to figure out where exactly the writer himself stands in the midst of his literary labyrinths. But by the end of his life, Kierkegaard was both writing openly as a Christian and saying some pretty challenging things about Christianity.
Kierkegaard is often associated with fideism and at times he seems to be arguing that Christians necessarily must embrace logical contradictions, which seems neither very Biblical nor very sensible to me. But there are ways of talking Kierkegaard down off his fideistic ledge and separating what is profound and challenging in his work from what is rhetorical excess. Not everything a character says, after all, should be attributed to the author.
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Anthony Lusvardi, Catholicism, Church, Jesus, Kierkegaard, Moralistic Therapeutic Deism, philosophy, Religion |
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September 21, 2010

There are a growing number of good resources for Ignatian spirituality on the web, and I discovered a new one today, daily reflections sponsored by the Magis Institute. Today’s reflection was written by my good friend Joe Simmons, SJ, who was a part of the Jesuit Mission Band mentioned earlier on these pages.
I admit, I love the painting too.
I have heard Jesuits preach about Caravaggio’s famous painting, “The Calling of St. Matthew,” for the past four years now. Are all Jesuits this unoriginal, or is there something especially compelling about this painting that speaks to the heart of the sons of St. Ignatius?
Michelangelo Caravaggio depicts a gaunt Jesus pointing at Matthew, who is seated around a table of well-dressed tax collectors in a shady customs post. An oblique ray of light cuts through the darkness just above Jesus’ pointed finger. The light bathes Matthew’s face, which betrays a look of tempered surprise – “surely, not I Lord,” he seems to say. Matthew knows he is not a wholly worthy disciple of Jesus – look at the company he keeps and the life he lives, after all! And yet there is Christ, pointing at him and summoning, “follow me.”
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Anthony Lusvardi, Art, Caravaggio, Jesus, Society of Jesus (Jesuits), Spirituality, St. Ignatius, St. Matthew |
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September 17, 2010

I might be risking the sin of pride by saying this, but we Jesuits have some pretty cool saints. One of the great unmerited blessings of this vocation is to be able to think of men like Francis Xavier, Peter Claver, and—today—Robert Bellarmine as elder brothers. And among those saints, I’ve always gotten a special thrill from the martyrs of the British Isles.
If, like me, you were avoiding homework yesterday by poring over transcripts of the papal visit to Scotland on Whispers in the Loggia (yes, I am a really big dork), you might have noticed that the Pope mentioned one of those Jesuits, St. John Ogilvie, as an example for the Scottish clergy.
John Ogilvie (1579-1615), was raised a Calvinist but converted to Catholicism at the age of seventeen. This meant he had to leave Britain to study on the Continent, first in Belgium and then in Germany and what is today the Czech Republic. There he studied in a Jesuit college and joined the Austrian province of the Society of Jesus.
He went through the usual lengthy formation process, was ordained in 1610, and wanted immediately to return to Scotland. His superiors thought Scotland too dangerous at first (and they were proven right), but he was finally able to sneak into his homeland in 1613 disguised as a horse dealer.
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Anthony Lusvardi, Benedict XVI, Catholicism, Christianity, England, Joseph Ratzinger, Papal Visit, Priesthood, saints, Scotland, Secularism, Society of Jesus (Jesuits), St. John Ogilvie |
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September 13, 2010

Unless it’s on Bing Crosby, I’ve begun to cringe when I see a Roman collar in a movie. If there’s a priest in a contemporary film I’m prepared for him to be lascivious, greedy, cruel, ambitious, hypocritical, or inept—and sometimes all of the above. So when I ventured to the cinema last week to see George Clooney’s The American, I braced myself when Paolo Bonacelli appeared on screen as the genial Padre Benedetto.
The priest came off amiably enough at first: an old Italian with the sort of practical wisdom that comes from having been around a long time and, presumably, having heard a lot of confessions. Padre Benedetto realizes that George Clooney’s character, Jack, an American arms maker hiding out in a small Abruzzo town, is not who he pretends to be, and, without coming off as heavy-handed, he seeks his conversion. He can sense the emptiness in Jack’s heart.
Given the usual Hollywood treatment of the clergy, I was ready for skeletons to come tumbling out of Padre Benedetto’s closet, and, indeed, he does have a rather dark secret in his past: an illegitimate son named Fabio. But, surprisingly, Padre Benedetto doesn’t come off as a hypocrite or lose our sympathy because he makes no effort to disguise his transgression or excuse his sin. He also sincerely loves his son despite knowing of the latter’s involvement in various petty criminal enterprises. Padre Benedetto is a sinner, knows it, and still does his best to be a Christian and a priest.
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Anthony Lusvardi, film, Into Temptation, Million Dollar Baby, Paolo Bonacelli, Priesthood, The American |
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September 1, 2010
In the spring of 2000 I spent a semester in Jerusalem, taking classes at Bethlehem University (a Palestinian institution) and the Hebrew University of Jerusalem. Shortly before becoming a Jesuit I made another pilgrimage to the Holy Land, in the spring of 2006.
While in the Holy Land the second time I heard two Western tour guides, on separate occasions, tell an encouraging story about inter-religious cooperation. When Pope John Paul II celebrated Mass in Bethlehem’s Manger Square in the spring of 2000, the guides said, the mosque on the edge of the square silenced the call to prayer it normally broadcast at noon so as not to disturb the papal liturgy. According to the guides, doing so was an unprecedented gesture of goodwill.
There’s only one problem with this cheerful tale: it isn’t true.
I was in Manger Square that morning when the pre-recorded call to prayer came blasting over the Mosque of Omar’s loudspeakers midway through the Prayers of the Faithful. The lector paused, everyone stared at their feet in embarrassment for a few moments, and, when the recording finished, we went on with the Mass. When I visited six years after the fact, I had a conversation with a local Christian who told me that the interruption of that liturgy is still seen as a painful reminder of that community’s minority status.
Last week’s discussion of the proposed Park 51 mosque reminded me of the tour guides’ story. Read the rest of this entry »
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Anthony Lusvardi, Islam, John Paul II, Moralistic Therapeutic Deism, Park 51 Mosque, Religion, Tolerance, tourism, truth |
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August 23, 2010

There’s nothing like a villain: Anthony Hopkins as Hannibal Lecter, Heath Ledger as the Joker, Meryl Streep in The Devil Wears Prada, and, now, Christoph Waltz in Inglorious Basterds.
It is hard to think of a more vile character than Waltz’s Col. Hans Landa in Quentin Tarantino’s latest, bizarrely amusing film. Col. Landa, who has earned himself the nickname “the Jew Hunter,” stands out as sadistic, even among his fellow Nazis, and yet he is a delight to watch. You almost start rooting for him just so he’ll be on screen a little longer.
Landa, for one, is a charmer. He is intelligent, urbane, and witty, speaks elegant French and Italian, and at times positively exudes joie de vivre (“Bingo! How fun!”). Whether it’s ordering crème for his strudel or interrogating a victim over a glass of delicious milk, Landa overflows with social graces. He would be a most agreeable guest at a dinner party.
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abortion, Anthony Lusvardi, attack ads, Christoph Waltz, civility, film, Hannibal Lecter, Hans Landa, Kazakhstan, literature, Morality, news media, Notre Dame, Obama, politics, public discourse, Tolerance, truth |
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August 15, 2010
I’ve blogged about the French-born anthropologist Rene Girard before (here’s my summary of key Girardian ideas); what I find particularly insightful in his work is the emphasis he places on how our desires develop through mimesis. In other words, we learn what to desire often just by imitating others. A few Girardian moments this summer reminded me of the validity of this point.
The first came at the first birthday party of my niece, the adorable Chloe, who I’ve mentioned before. Chloe has idiosyncratic tastes; she’s as often interested in gnawing on someone’s shoe or a newspaper as she is in playing with her toys. The one thing you can do to make her more interested in the toys, however, is to start playing with them yourself. Once Chloe notices someone else playing with a toy, she crawls resolutely across the floor and takes it from them! Mimetic desire starts early.
I thought of Girard again in northeast India when the fifth graders in the remote mountain village where I taught started flashing gang signs whenever I took their picture. Of course, when I asked them what they were doing and why, they had no real idea—they were just imitating something they had seen on TV.
I should back up a bit here and say that even though the village where I worked has no telephone connections, paved roads, refrigeration, radio reception, or indoor plumbing, nearly every house has satellite TV. An enduring image of the journey will be that of The Dish sticking out from under the thatched roofs of bamboo huts.
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Anthony Lusvardi, anthropology, Childrearing, Christianity, Church, education, Evangelization, film, Religion, Rene Girard, Secularism, teaching, television |
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August 9, 2010
If you are one of our astute regular readers (and aren’t all of our regular readers by definition astute?), you might have noticed that my postings this summer were rather sparse. You see, I was in the jungle.
The Jesuits, as most of you know, are a worldwide religious order, and, even though the order is divided into provinces, when a man becomes a Jesuit he enters the Society of Jesus, of which there is but one in the world. Our current Father General has placed great emphasis on the international character of the Society, encouraging provinces to work together across national borders and reminding us that Jesuits in formation need to be comfortable working in any culture.
All of this, along with the inscrutable workings of Providence, is to explain how I found myself at the beginning of June in a remote mountain village in northeast India. No phones, no internet, not even mail.
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Anthony Lusvardi, Catholicism, Christianity, Church, education, Peace Corps, Pedro Arrupe, Prayer, Religious life, St. Francis Xavier, teaching |
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Posted by Anthony Lusvardi, SJ
August 5, 2010
Anne Rice has left Christianity. While the author of vampire novels is not a figure of such towering intellectual stature that I anticipate droves of believers following her, the arguments she gives for leaving the Church are common enough to deserve comment.
Rice claims to have “quit Christianity in the name of Christ.” The problem, she claims, isn’t Jesus: it’s his followers, who are “quarrelsome, hostile, disputatious, and deservedly infamous.”
In the Facebook announcement of her departure, Rice works herself up into a rhetorical snit over how awful Christians really are: they’re “anti-gay,” “anti-science,” “anti-secular humanist,” even—wait for it—“anti-life”. Rice herself, of course, lacks such faults and is sure Jesus does, too, so he can stay even if everyone else must go.
The problem with such a line of argument is that Rice hasn’t really rejected the Church: she’s simply created a Church of one.
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Anne Rice, Anthony Lusvardi, Catholicism, Christianity, Church, Jesus, Joseph Ratzinger, literature, Magisterium, Modernity, Morality, news media, Religion, Secularism, Society of Jesus (Jesuits), Spirituality, Tolerance |
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Posted by Anthony Lusvardi, SJ
July 25, 2010

As regular readers have no doubt deduced, I like movies. Some movies rise to the level of great art—The Godfather and The Godfather II come to mind—while others are merely entertainment. A very average movie that I saw recently was The Invention of Lying.
The Invention of Lying tells a rather familiar story: chubby but sympathetic boy gets attractive girl. It stars Ricky Gervais, of the British version of the TV show The Office, and it has a few amusing moments. The premise of the movie is that it takes place in a world in which people always tell the truth. They have not invented lying or even fiction. In fact, they have no words for “truth” or “lying” because the concepts are beyond them.
I tend to like comedy in which people say terribly inappropriate things which also happen to be true, so the film’s premise appealed to me. The plot thickens—and the film gets its title—when Mark, the Ricky Gervais character, who is kind of a loser, in a moment of inspiration, tells a bank teller that he has more money in his account than he really does. Since nobody in their world lies, she assumes her computer has made an error and gives him all the money he asks for. From then on, Mark realizes all the great things that can be accomplished by inventing one’s own truth.
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Anthony Lusvardi, atheism, film, lying, Modernity, neo-atheism, Secularism |
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Posted by Anthony Lusvardi, SJ
July 17, 2010

Over the past few months I’ve been working my way through a collection of Sir Arthur Conan Doyle’s Sherlock Holmes stories published in The Strand Magazine. The collection contains facsimile copies of the original Strand pages, including original illustrations (in which we see Holmes in his characteristic deerstalker hat, never mentioned in Conan Doyle’s text).
As I’ve been reading the stories, I’ve noticed more parallels between Holmes and my favorite TV character, Dr. Gregory House, than between the Holmes of Conan Doyle and that of the recent action flick staring Robert Downey, Jr. Both Holmes and House use substantial deductive powers to solve mysteries, criminal and medical. Both suffer from addictions, to cocaine in Holmes’ case and Vicodin in House’s, addictions witnessed with dismay by their respective sidekicks, Dr. Watson and Dr. Wilson. And both bachelors have somewhat off-putting and eccentric personal habits.
In fact, the Sherlock Holmes short stories from The Strand bear a striking resemblance to a television series. Read the rest of this entry »
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Anthony Lusvardi, Hugh Laurie, literature, Sherlock Holmes, short story, Sir Arthur Conan Doyle, television |
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Posted by Anthony Lusvardi, SJ
July 2, 2010

I don’t watch much TV, but I’m beginning to suspect I have an addiction to House, M.D. This might be appropriate, given that the show’s main character, Dr. Gregory House, is himself recovering from an addiction to painkillers.
House might seem like an unlikely, dare I say even unhealthy, addiction to develop. As a Jesuit friend observed to me, explaining why he couldn’t stand the show, “He’s just so mean.” And, I admit, Dr. House is not a very nice guy.
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Anthony Lusvardi, Hugh Laurie, literature, philosophy, Society of Jesus (Jesuits), television |
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Posted by Anthony Lusvardi, SJ
June 11, 2010
Ah, yes, change. Something that we both crave and fear. The theme of Barack Obama’s victorious presidential campaign and now the mantra of his Tea Party opponents. A more or less neutral value in itself, since change can be for good or ill.
Sometimes change is predictable (and perhaps, therefore, not really much of a change at all) and sometimes unexpected, shocking, unsettling. I experienced one such unexpected change last month when I found the most recent issue of First Things in my mailbox.
There was a picture on the cover.

What had happened, I wondered. Was this some sort of belated April Fool’s Day issue? Or a sign of the impending apocalypse? I scanned the horizon and saw no horsemen, so, gingerly, I opened the cover. Read the rest of this entry »
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Anthony Lusvardi, Art, First Things, poetry, Society of Jesus (Jesuits) |
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Posted by Anthony Lusvardi, SJ
May 31, 2010

Last month the Holy See gave final approval to a revised English translation of the Roman Missal, a long process not without its share of comedy, tragedy, and controversy. I, for one, am enthusiastic about the change, even while recognizing that change often takes a bit of effort to get used to.
The new translations have come in for a bit of criticism on the web and elsewhere, including a rather odd online petition drive. The criticism mostly stems from the fact that the new translations, which hew more closely to the Latin original than the translations now in use, employ a vocabulary and syntax that is likely to sound a bit foreign to most contemporary English-speakers.
The desire for the words used at Mass to be comprehensible to most people is straightforward and laudable, but simple comprehension is not the only quality we should expect in our worship language. In fact, sometimes it’s desirable for language to sound unusual and, yes, even foreign. To help me make this point, let me call on two old friends from my days as an undergraduate English major: Herman Melville and Ernest Hemingway. Read the rest of this entry »
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Anthony Lusvardi, Art, Eucharist, For Whom the Bell Tolls, literature, Liturgy, Moby-Dick, poetry, Prayer, Religion, Society of Jesus (Jesuits), Translation, Vox Clara, What if we just said wait petition | Tagged: new mass translations |
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May 22, 2010
Since the weekend’s big feast, Pentecost, is sometimes colloquially referred to as the birthday of the Church, I thought I’d offer a little birthday greeting. I couldn’t fit two thousand candles on a cake, so I came up with a top ten list instead. Maybe it’s not really my top ten, but here are ten things I love about the Church. (The New York Times doesn’t want you to know this, but, yes, it’s still okay to love being Catholic.)
10. Songs about Mary. Whether it’s Pavarotti belting out “Ave Maria” or tone-deaf Jesuits (like yours truly) humming their way through the “Salve,” the Blessed Mother brings out something sweet and beautiful even in the gruffest of us.
9. Relics. They may seem a little weird to contemporary American tastes, but think about all that relics say about the importance of the body, the embodied nature of our faith, and our hope, ultimately, in the resurrection of the body.
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Anthony Lusvardi, Art, Gerard Manley Hopkins, Hope, literature, Liturgy, Mother Teresa, Religion, saints, Society of Jesus (Jesuits) |
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Posted by Anthony Lusvardi, SJ
May 16, 2010
The Pope made some important comments on his trip to Portugal last week which have a fairly direct bearing on the abuse scandals so much in the news these days. Benedict’s response, as we might expect, touches on the spiritual aspects of the scandal and has some pretty deep implications for all of us. Here’s what the Holy Father said:
[A]ttacks against the Pope or the Church do not only come from outside; rather the sufferings of the Church come from within, from the sins that exist in the Church. This too has always been known, but today we see it in a really terrifying way: the greatest persecution of the Church does not come from enemies on the outside, but is born from the sin within the church, the Church therefore has a deep need to re-learn penance, to accept purification, to learn on one hand forgiveness but also the need for justice. Forgiveness is not a substitute for justice. In one word we have to re-learn these essentials: conversion, prayer, penance, and the theological virtues. That is how we respond, and we need to be realistic in expecting that evil will always attack, from within and from outside, but the forces of good are also always present, and finally the Lord is stronger than evil and the Virgin Mary is for us the visible maternal guarantee that the will of God is always the last word in history.
In earlier comments, too, Benedict talked about the need for doing penance, something fundamental to our identities as Catholics but which, I have to admit, I don’t normally give much thought to. Among my generation of Catholics I’m probably not alone in being a little clueless about what penance is or why we do it.
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Anthony Lusvardi, Asceticism, Benedict XVI, Jesus, John Donne, penance, Prayer, Sexual Abuse, Society of Jesus (Jesuits) |
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Posted by Anthony Lusvardi, SJ
May 3, 2010

Instead of heading south for spring break this year, as most sensible people do, I went to South Dakota. I didn’t go for the beaches, but instead to visit the Jesuit community on the Rosebud Reservation. The cultural milieu of the “Rez” is fascinating, and the Jesuits who live there are fine hardworking men.
One conversation in particular got me thinking. We were discussing the summer Sun Dances, native religious rituals in which men dance—sometimes for several days without sustenance—and pierce their skin as a way of offering sacrifice to the divine. Someone remarked that at a Sun Dance he had visited the previous summer there were more German tourists than Lakota worshippers.
I found the incident disturbing in different ways. Though obviously not a practitioner of non-Christian “traditional” religion myself, I couldn’t help but feel that the practices of those traditions had been somehow cheapened when reduced to a spectacle for tourists.
For me the more disturbing question, however, is what the phenomenon of the Teutonic Sun Dance says about the spiritual grounding of Westerners. Is part of the reason so many German tourists find the Sun Dance so alluring the lack of spiritual sustenance in their own culture? Read the rest of this entry »
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Anthony Lusvardi, Hinduism, Kierkegaard, literature, Modernity, Morality, Postmodernity, Religion, sacrifice, Secularism, seekers, Society of Jesus (Jesuits), Somerset Maugham, Spirituality, Sun Dance, tourism |
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